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Missa cantata ( for "sung Mass") is a form of defined officially in 1960 as a sung Mass celebrated without sacred ministers, i.e., deacon and subdeacon." Missa in cantu ... si celebratur absque ministris sacris, vocatur Missa cantata ( 1960 Code of Rubrics, 271) – "A sung Mass ... when celebrated without sacred ministers, is called a Missa cantata" ( translation by Rev. Patrick L. Murphy).


Pre-1960 name
Documents of the Holy See such as the Decree of the Congregation of Sacred Rites of 14 March 1906 spoke of Missa cantata sine Ministris, meaning Sung (or Chanted) Mass without the Ministers. The 19th-century Ceremonial for the Use of the Catholic Churches in the United States of America (commonly called the "Baltimore Ceremonial" because published by request of the Third Plenary Council of Baltimore of 1884) used the name High Mass without Deacon or Sub-Deacon. Baltimore Ceremonial, page 67


Classification
The Baltimore Ceremonial thus classified the Missa cantata as a High Mass. The early 20th-century Catholic Encyclopedia said, on the contrary, that a Missa cantata "is really a , since the essence of high Mass is not the music but the deacon and subdeacon. Only in churches which have no ordained person except one priest, and in which high Mass is thus impossible, is it allowed to celebrate the Mass (on Sundays and feasts) with most of the adornment borrowed from high Mass, with singing and (generally) with incense." "Liturgy of the Mass" in Catholic Encyclopedia by , (New York, 1910)

In 1960, Pope John XXIII's Code of Rubrics distinguished the Missa cantata both from a high Mass and from low Mass. Under the number 271, it defined the forms of Mass as follows:


Ceremonial
The Missa cantata came into use during the 18th century and was intended for use in non-Catholic countries where the services of a or a (or clergy to fill these parts in the ceremony of the Mass) were not easily had. It was intended to be used in place of on Sundays and major feast days.

The use of incense at a Missa cantata was at first forbidden, but became general: "The Sacred Congregation of Rites has on several occasions (9 June 1884; 7 December 1888) forbidden the use of incense at a Missa Cantata; nevertheless, exceptions have been made for several dioceses, and the custom of using it is now generally tolerated." General permission was finally granted in the 1960 Code of Rubrics, which stated: "The incensations that are obligatory in Solemn Mass are permitted in every Missa Cantata"."Incensationes quae in Missa solemni fieri debent, fieri possunt etiam in omnibus Missis cantatis" ( Code of Rubrics, 426)

The parts sung by the priest are to be sung in . More elaborate musical settings of the choir's parts may also be used. Scott A. Haynes, "Guidelines for Liturgical Services according to the 1962 Missale Romanum: Music for High Mass"


Current situation
The rigid distinction between a sung Mass and a low Mass in the was changed in the 1969 revision of the . The General Instruction of the Roman Missal states: "It is very appropriate that the priest sing those parts of the Eucharistic Prayer for which musical notation is provided."General Instruction of the Roman Missal, 147 Under the heading "The Importance of Singing", it says: "Great importance should therefore be attached to the use of singing in the celebration of the Mass, with due consideration for the culture of the people and abilities of each liturgical assembly. Although it is not always necessary (e.g., in weekday Masses) to sing all the texts that are of themselves meant to be sung, every care should be taken that singing by the ministers and the people is not absent in celebrations that occur on Sundays and on holy days of obligation."General Instruction of the Roman Missal, 40


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